Best albums of 2014

  Ahoy there! We have another one of them fancy lists for your reading pleasure. Since everyone and their mothers (and farmers’ mothers) have a “best of” list by now, we asked our readers and collaborators for their choices. Some heard the call and voraciously, viciously and vividly described what they enjoyed (or not – more on that later) in this year of our Lord … Continue reading Best albums of 2014

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Introducing – Freelance Whales

I think every moment should have a soundtrack. Every picnic, a  song that makes you laugh;  dinners, a romantic ballad and every adventure with the one you love should have a Freelance Whales song playing on the background. Continue reading “Introducing – Freelance Whales”

Welcome to thecontrollersphere

of Montreal – thecontrollersphere

Stream – ‘L’age D’or’

It’s hard to describe of Montreal to the newly initiated. You play them a song, any song and the looks you get say it all. What does it all mean? The cover? The art? The title? Their whole discography? No idea whatsoever. It is a true “take it or leave it” species of band.

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The Sloucher Mix CD – Autumn edition

Oh, dear, did you read that last comic we made and think: who can save us?

The answer,  sadly, will come ’round October. In the meantime, how does an entire free cd of music sound?

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La Folie, c’est mon truc

La Folie – Risus Sardonicus

I got a very interesting album today, though the cover seemed a little bit as if all of my childhood traumas were reflected on that image: circus, an elephant, acrobats… anyway, I was pretty excited to listen to this new acquisition called Risus Sardonicus, by La Folie (I dig the name!)

There’s something about the circus that has always left me at unease; it’s maybe pretending, it’s maybe a parallel reality or just making fun at reality itself. Circus is the main concept of this album, and the result is quite interesting and calls for the uncanny.
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Tramlines 2010 – Sunday

Sunday 25: Coogan warned us about you (gushing and ranting).

Sunday was the last day and The Knackering was setting in. Going to sleep at 4 am didn’t help, but hey, S1 Artspace was worth it completely. Massive Gig attendee tip #19: for blisters try using ample shoes and painkillers.

Typing interviews and general writing shenanigans had been taxing and just missing the buskers bus with Cats:for:Peru was downright depressing. Still, soldier on.

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Dry country bootleggers

Murder by Death – Good Morning, Magpie

The skinny: alt-country. Or something like that. With atmospheric stuff from time to time.

The review proper: Yee-haw. At least for the first two songs, the album feels like a good throwback to the glory days of alt-country (although we might still be on them, y’dig?). Then on track three, ‘On the dark street below’, a couple of disco-style drum shapes are thrown in the mix.

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A night at The Grapes is always intense…

Repo Men + Dr. Robeatnik + Cats:for:Peru @ The Grapes

The poster read “Pisco presents Sugar Rush”. And the inside smell sweet. Sickly sweet. Candy. Lots of candy. Gingerbread men, balloons, fake jars on stage and a frickload of free candies. That was the scene at the Grapes, your number one room for intense shows.

And that was exactly the best description for Repo Men‘s chaotic set. It was intense. But then again, the life of a repo men is always intense. You could ponder if “Stella” is about a girl they fancied or if it’s about the beer. It could also be about a plate of shrimp. Or a plate. Or just a shrimp. Or the pecan pies in the back of a Cadillac El Dorado.

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