Interview – The Payroll Union

The Payroll Union are a Sheffield band that has been doing the rounds for a while, but it wasn’t until this year when it all started to fall into place. Between an EP launch in a cozy little pub, a stint on the Busker bus during Tramlines and a couple of Hoedowns (one which ended in a massive hay fight), the band is getting loads of good word of mouth.

A meeting with the band was arranged at 2Fly studios.  When I get to the studio, the band are still recording. The song is ‘1826’ and although the basic layout is pretty much finished, they want to add an extra layer of detail to the song. Melodica, a spot of keyboard and even the sound of breaking wood (courtesy of  a 2×4 being destroyed in the studio) are added.

The Payroll Union are Ben (drums, vocals), Paul (bass) and Pete (guitar, main vocals) and they have been recording for the entire weekend. They look slightly tired but happy about how the song is panning out, so we take a stroll around and settle down at a Mexican restaurant to talk about Americana, history and why your influences might not determine how you sound.

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Singles: Pato Machete, Balto, Sleepmakeswaves

Greetings, readers drinking discount ale at the office (those 10p cans were worth the botulism, eh?) and sneaking a looksie at the stock market (don’t) while the boss is shagging the intern (hopefully it won’t go into the CV). Welcome to another edition of our “off again, off again, hey it’s on again!” single reviews column.

This week’s singles come courtesy of Noel Gallagher, who switched all of Liam’s jaffa cakes and replaced then with Marmite digestives. Now, that’s hate. Where’s your sense of brotherly hate, Cain?

Ah, singles, right:

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