Ray Lynch’s music is an interesting mix of ambient and new age, eerie synth lines with evocative, mantra like drones. The flutter of a song such as The Oh of Pleasure might awake a wanton feeling in some, sadness in other people. I’m the latter, not the former. Always found The Oh of Pleasure as sad as they come, imagining a person just a few seconds from dying.

Celestial Soda Pop, with its infectious groove and simple melody is a happier song, hopeful and full of forward momentum. Lynch’s composition is in C minor, so it should be a sad affair. Instead, a sunnier disposition seems to prevail through it.

It’s strange, outside of Epcot center and a few Mexican government ads, I don’t know of many uses of Ray Lynch’s music. There was a small revival of his music thanks to the inclusion of both The Oh of Pleasure and Celestial Soda Pop on GTA IV’s The Journey radio station, where a cold machine voice was our de facto DJ. It’s strange driving through the grimy streets of fake New York, whether with doomed biker Johnny Klebitz or ill-fated Niko Bellic, and listening to New Age stuff. It’s a contrast that somehow works wonders on the game.

Deep Breakfast, which contains both of Ray Lynch’s greatest songs, is a spearhead album of the new age genre. If you need something peaceful to meditate, write, or read, it’s a hearty recommendation.

-Sam J. Valdés López

Fediverse Reactions

4 responses to “The bit that you skip #173: Ray Lynch – Celestial Soda Pop”

  1. Arran Walker Avatar
    Arran Walker

    Part of this piece sounds like Blondie used it for the lyrical melody of the verses for “Call Me”. For example, how the lines “Cover me with kisses, baby. Cover me with love” are sung.

  2. Arran Walker Avatar
    Arran Walker

    Except I looked them both up, and the Blondie song “Call Me” came out in 1980, and “Celestial Soda Pop” came out in 1984. So, instead of the Blondie song sounding like this piece, this piece sounds like the Blondie song…

    1. Sloucher.org Avatar

      I just listened both back to back, and I totally agree with you!

      1. Arran Walker Avatar
        Arran Walker

        Yeah, the melody is pretty much the same for the “Cover me with kisses, baby” part and the other lines that start out each verse, then the second part — like “Cover me with love” — is a bit different. “Call Me” was (and still is) such a huge hit for Blondie that I’m surprised anyone would try to incorporate it into their own work without giving them credit. I wonder what the sleeve notes say… 🤔 Maybe the similarities are acknowledged in the release of this record or the album it is from. 🤷🏻‍♀️

        I’ve also noticed a similarly between the intro for Blondie’s “Heart of Glass” and the intro for (and continuation within) Gary Numan’s “Remind Me to Smile”. Blondie’s song was released first, but only by a rather short time. It could be simply that they both used preset “rhumba”-like beats on the same or similar synths, like the Roland CompuRhythm CR-78 (the Wikipedia page has an audio sample of its “‘rhumba’ pattern with metallic effects”, which is what Blondie actually used). But the timing is suspicious. His song also has a line that mentions glass; “I’m in this cold glass cage”. The album it’s from, Telekon, also has a song titled “We are Glass”. He released singles for Telekon but didn’t want to use “Remind Me to Smile” as a single in the UK, even though some people recommended it. There’s some “official” reason why he chose not to, but I don’t buy it. I suspect he knew that if he used that song as a single in the UK, that the music critics there — who were already scathingly criticizing him — would just tear it apart and accuse him of trying to copy from Blondie’s very recently released and highly popular song.

        Sorry for the long reply, but I hope you enjoyed the topic/info.

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