• The bit that you skip #166: Shirley Walker & John Carpenter – Escape from LA

    It’s odd that two 80s cult classics got sequels/remakes in the 90s. As much as I love Terminator 2, it does revisit topics and scenes from the first one, perhaps too much for comfort. John Carpenter’s Escape from LA does the same, changing the setting from the gloomy New York to a now devastated, formerly…

  • The bit that you skip #165: Tangerine Dream – Charly The Kid

    I have no defined idea of when the Tangerine Dream reappraisal began. When GTA V was released in 2013, Tangerine Dream were an integral part of the atmospheric music, along Woody Jackson, Oh No, and The Alchemist. The dynamic score was integral to the game’s success, and you can still find youtube channels with extended…

  • The bit that you skip #164: Wendy Carlos – Tron Scherzo

    If you’re of a certain age, you’ll hear this song and recognise which sections of it play during the arcade game. Tron, the arcade game, was notoriously loud and it could overwhelm the already noisy atmosphere of videogame arcades back in the day, where tinny speakers sort of played rock music, lost in a maelstrom…

  • The bit that you skip #163: Howard Shore – Brooklyn Heights pt 2

    Although Martin Scorsese had a tremendous start of the 90s with the unstoppable Goodfellas, his later output never quite achieved the same box-office results. Didn’t quite left a mark on the critics either. It’s a shame, because I love Bringing out the dead with all my heart. It was a movie I saw all by…

  • The bit that you skip #162: Trevor Jones – Promentory

    Last of the Mohicans is one of three Michael Mann films that seems to be overlooked. The other two are The Insider, a timeless critique of journalism and special interests, and The Keep, which is getting a bit of a reappraisal thanks to Vinegar Syndrome. Trevor Jones takes The Gael by Dougie MacLean and rearranges…

  • The bit that you skip #161: Alan Silvestri – My Father!

    Back to the future 2 did what sequels often fail to do: surpass the original. Pacier with a complex (not convoluted) plot, the stakes are raised and like a good sequel, ends on a great cliffhanger. Helps that both part 2 and 3 were filmed on the same production block. Helps avoid many troubles sequels…

  • The bit that you skip #160: John Williams – Alarm!

    John Williams can crack a real good tune. Sure, just like James Horner (and many film scorers), Williams has taken inspiration from classical composers. Just listen to Antonín Dvořák’s 4th movement of his 9th symphony and you’ll stay clear of any beaches the rest of your life. That’s fine. I don’t see at plagiarism any…

  • The bit that you skip #159: Paul Leonard-Morgan – Ma-ma’s Requiem

    Comic books were a part of my formative years. Since I have memory, I’ve been surrounded by comic books and comic book readers. From the Novaro and Editorial Vid translations that added Mexican colloquialisms to the deluge of import comics we had in the late 80s, early 90s, reading was a nice bit of escapism.…

  • The bit that you skip #158: Elliott Goldenthal – Coffee shop

    Heat floored when I watched for the first time. It was a small theater in a multicinema and I was by myself. The ending was bittersweet, the cinematography was perfect, and the music had a life of its own. For the longest of time, I would drop everything if the movie was on TV, and…

  • The bit that you skip #157: Harold Faltermeyer – Fletch

    Besides working as a session musician with the likes of Laura Branigan, Pet Shop Boys, and Billy Idol, Faltermeyer’s music was the lifeblood of three 80s classics: Top Gun, Beverly Hills Cop, and Fletch. If you find yourself wondering what is “Fletch”, congratulations, you still have a long life ahead of you. If you do…